An new initialism came to light several months into the military campaign against Gaza. Labeled WCNSF, it signifies “Injured child with no living relatives”. This designation is specific to Gaza, according to health professionals including child health specialists. Typically, it is rare for doctors to treat a child who has lost their entire family. However, there has been nothing “normal” about the genocide in Gaza, where entire family lineages have been obliterated and the number of children who have lost limbs exceeds that of any other region in the world. Nothing normal about scores of doctors arriving back from a landscape of rubble with testimonies of children being deliberately targeted.
Conditions in Gaza persist as a profound humanitarian disaster. Critical healthcare resources are failing to reach those in need, and groups like Amnesty International assert that genocidal acts are ongoing. The Israeli government has denied these claims, just as it denies all charges it is charged with. But while grieving children who lost parents are now freezing in improvised encampments, there is a little heartwarming news: apparently nothing is going to stop the international singing competition from advancing its declared purpose of “togetherness and cultural exchange.” The contest will continue to offer a prestigious stage for Israel, although at least four European countries have now withdrawn in objection. Because this, we are told, is what international harmony resembles.
Historically, Eurovision excluded Russia from participating in 2022 because of the “serious conflict in Ukraine”. However, the situation in Gaza is treated differently.
Forget the fact that Israel was criticized for unfair vote practices last year in what could be seen as an effort to politicise Eurovision. Ignore the report that a toddler was allegedly fatally struck in Gaza just days ago. Neglect the data that settler violence and systematic expulsions in the West Bank have surged. Forget the fact that international journalists are still blocked from independent reporting in Gaza. None of this, apparently, should be seen as a barrier of Eurovision’s cherished spirit of unity.
The contest turns 70 next year – roughly two times the projected longevity of a person in Gaza now. The event will proceed, but it will find it impossible to reclaim the pure, unadulterated fun it once represented. A competition that was originally built on harmony has devolved into a transparent instrument to provide a cultural veneer for conflict.
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