Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in UK and Irish theaters from November 17.
