For anyone who has spent years living in rental properties, confronted by the same standard-issue beige walls and longing for adding some actual personality to their home, Pantone's new Colour of the Year might seem like a personal attack.
This time around, the influential color company has selected a shade of white as its premier hue.
In detail, the shade is called Cloud Dancer – a white characterized as "lofty" and "airy" which "acts as a symbol of tranquility in a society re-learning the value of stillness".
It marks the initial instance white has been picked as the Colour of the Year, and it has generated significant controversy.
Per Pantone, Cloud Dancer "is not just a colour, it's a mindset" and embodies a shared yearning to decelerate, recalibrate and seek peace after years of sensory saturation.
But some commentators have labelled the decision as "out of touch", arguing that promoting minimalist and immaculate white spaces can feel disconnected from the smaller, messier homes most people call home.
Some observers argue that positioning white as aspirational carries racial undertones, landing uncomfortably during continuing societal dialogues about race and representation.
Designer Chris Beaumont says the backlash goes beyond surface appeal, arguing that white carries deeper meanings and is rarely a neutral choice.
"The color white sends a message," he says, shaped by a ten-year period of minimalist celebrity interiors – most notably Kim Kardashian's stripped-back home – that came to represent "affluence, control and removal from chaos".
He explains that white is "not about inspiration but taking care not to cause upset", with Cloud Dancer embodying "restraint, moral minimalism and the idea that impartiality equals goodness".
The designer points to the pandemic as a turning point in how people perceive their homes.
"Suddenly they transformed into our workspaces, sanctuaries and emotional anchors," he says, noting that against this backdrop, directing the Colour of the Year towards "further aesthetic barrenness seems rather tone-deaf".
Rather than offering calm, he believes white now threatens to amplifying "a feeling of bleakness", particularly when paired with harsh, sterile lighting.
An interior designer, a Surrey based interior designer, concurs and says Cloud Dancer "is not perceived as a colour" and is "completely rejected for me".
While it may work in highly minimal or architectural spaces, she says bright whites rarely create calm in real homes.
"What looks serene in a professional photo can easily seem sterile at home," she explains.
"White can feel harsh and demanding and you wouldn't wish your home to emit clinical feelings."
She continues that "living spaces should spark joy and be inviting and lived-in, and this shade feels quite distant from that."
The critic hopes that homeowners will disregard the Pantone Colour of the Year in preference for "unabashed dopamine décor", using vibrant hues to showcase personality.
A representative of the Pantone Colour Institute commented that people "have varied interpretations" to the meaning of the colour, but it was selected as it "integrates perfectly with everything around it, providing a sophisticated impartiality that seems intentional and versatile".
Beginning in 2000, Pantone's Colour of the Year has become a significant trend indicator.
Past choices have included the hopefulness of a vibrant pink-orange, the serene assurance of a deep blue, the energy of a bold pink-red, and more recently softer, emotionally driven tones like a soft peach.
These hues extend beyond style predictions - they appear in fashion collections, cosmetic products, interiors, packaging and even consumer electronics, influencing how products are sold and how consumers envision the year ahead.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may appear basic, "this particular shade feels soft and refined rather than stark".
In contrast to those who say the colour is boring, the expert sees it as "flexible" and says it's best used in "bedrooms and living areas where you want a serene, calming ambiance".
"Should you prefer not to redecorate, you can introduce the colour into a room with pillows, blankets and curtains."
Design expert James Mellan-Matulewicz says although he was surprised that Pantone's pick this year was "essentially the lack of pigment", it is a bit like a basic flavor, in that "everyone likes it but it's not a top choice".
He can see its merits, noting that white can work especially effectively as a backdrop for architectural details like panelling and curved entries which is a "rising style in contemporary houses".
In fashion, white has long been a staple rather than a statement and as a Colour of the Year it poses a unique test to designers more familiar with vibrant colors.
Fashion consultant Oriona Robb says elevating white feels "not focused on newness and more concerned with purpose", indicating a shift towards sophistication after years of fad saturation.
"White forces designers and those who wear it alike to concentrate on shape, scale and craftsmanship, there's really no room for error," she clarifies.
But she adds that it also carries assumptions around body confidence, lifestyle and advantage, stating: "If white is viewed as something only a narrow group of people can pull off, it becomes exclusionary."
She says the industry is already cognizant of the uncomfortable undertones associated with celebrating white as an ideal, particularly amid continuing conversations about representation and accessibility, and the real test will be whether "brands address that complexity authentically, or simply glamorize the colour".
Style consultant Katie Malik admits the choice initially shocked her, considering Pantone's history of vibrant hues, but says it reflects a authentic change and fits within a wider mood of "quiet luxury
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